Octahedron is rife with hushed passages, acoustic filigrees, and dreamy vocals that herald either a radical retooling or, more likely, a period of transition for these experimentalists. Read more about Octahedron on Entertainment Weekly
Rolling Stone
Bixler-Zavala is no Maxwell; he's more about sharp pain than voluptuous ache. By the end, he invokes Gordian knots alongside a fractallike Omar Rodriguez-Lopez guitar solo. Dude sounds like he's back home again. Read more about Octahedron on Rolling Stone