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Holmes races through genres like a mad cab driver running red lights, revving up a jittery, urban fever dream from a junk heap of beats and ragged exotica
A vast improvement over the intriguing but rarely focused Let's Get Killed, David Holmes' third solo album benefits from his growing status as a producer to watch -- and specifically, from his ability to snag the talents of big-name vocalists.
Read more about Bow Down to the Exit Sign on All Music Guide
A vast improvement over the intriguing but rarely focusedLet's Get Killed, David Holmes' third solo album benefits from his growing status as a producer to watch -- and specifically, from his ability to snag the talents of big-name vocalists.
Read more about Bow Down to the Exit Sign on All Music Guide
Like Death in Vegas, Holmes is a techno boffin whose work builds upon that of the Velvet Underground rather than Kraftwerk; too bad his grooves, like the bass-line chug of "Living Room," often go nowhere fast.
Read more about Bow Down to the Exit Sign on Rolling Stone
David Holmes, who might have become the Lalo Schifrin of electronica after composing the score forOut of Sight, is nothing if not ambitious. ForBow Down, his fourth U.S.
Read more about Bow Down to the Exit Sign on Rolling Stone