So ignore the Doris-Day-meets-Eminem descriptions youre seeing; this is more like Kate Bush meets Phil Ochs. ...more
Rolling Stone
McKay mixes pathos and goofiness with egghead glee. ...more
Blender
Her coy delivery suggests a seething everywoman concealing her rage under an ominously bright surface. ...more
Rolling Stone
In Nellie McKay's cabaret, would-be show tunes mingle with rock, pop, disco, reggae, blaxploitation grooves and anything else this effusive prankster can spew out of her untethered imagination. Comparisons to fellow music-school dropout Norah Jones ...more
PopMatters
McKay runs the risk of stalling out at "adorably wacky" instead of actually meaning anything at all, or rewarding multiple listens with something more. ...more
Critic Reviews continued...
All Music Guide
Get Away From Me is an exciting debut that could become a cult favorite among pissed-off girl-women of McKay's age; if she can focus her creative energy without sacrificing any of the bite of her debut, she'll become an even more impressive talent. ...more
ShakingThrough.net
There's no mistaking McKay's talent as a songwriter, even if, as on "The Dog Song," she still falls too easily prey to cloying preciousness. ...more
Pitchfork
With better lyrics and a longer attention span, McKay would be a jaw-dropping songwriter, but it's difficult to get sucked into a song if you don't connect with the singer. ...more
Pitch Fork Media
Nellie McKay is awful because she's cute-- gratingly cute, the cutest drama chick in high school, just 19 years old and already writing sharper tunes than, well, most girls her age who write pop songs. Then there's that 1950s-era kitsch cover photo ...more
New Reviews Newsletter
Want to be notified when new review sites are announced? Sign up for our email review notifications.
New Reviews Newsletter
Want to be notified when new review sites are announced? Sign up for our email review notifications.