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The remarkable achievement of Love and Theft is that Dylan makes the past sound as strange, haunted and alluring as the future...
Read more about \"Love & Theft\" on Rolling Stone
"Love and Theft" sees Dylan roaring back from Highway 61 at full bore, reminding us -- as he did on Blonde on Blonde, The Basement Tapes, and Blood on the Tracks -- that, like him or not, there isn't anybody else who can do his job.
Read more about \"Love & Theft\" on PopMatters
"I don't like to think of myself in the highfalutin area," Bob Dylan said a few years ago. "I'm in the burlesque area." The man isn't kidding.
Read more about \"Love & Theft\" on Rolling Stone
It may not be a better album than ''Time Out of Mind,'' but it glides from genre to genre with a sprightly glee, as if Dylan were traversing the American musical landscape in search of thrills, revenge, and reparation.
Read more about \"Love & Theft\" on Entertainment Weekly
Not just his best album since Blood on the Tracks, but the loosest, funniest, warmest record he's made since The Basement Tapes.
Read more about \"Love & Theft\" on All Music Guide