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TopTenREVIEWS presents the reviews for \"Love & Theft\"

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\"Love & Theft\"

by Bob Dylan

ALBUM RANKINGS:

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  • of 455,330
    838
  • of 265,621
    75
  • of 35,059
    9
Ratings and rankings are based on all available critic reviews and awards.
Overall Rating: 3.3596 \
Avg. Critic Score: 3.3809 \

\"Love & Theft\" Album Reviews

Critic Review Summary
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3
 
Good
2
 
(0)
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Featured Reviews
Rolling Stone
The remarkable achievement of Love and Theft is that Dylan makes the past sound as strange, haunted and alluring as the future... ...more
PopMatters
"Love and Theft" sees Dylan roaring back from Highway 61 at full bore, reminding us -- as he did on Blonde on Blonde, The Basement Tapes, and Blood on the Tracks -- that, like him or not, there isn't anybody else who can do his job. ...more
Rolling Stone
"I don't like to think of myself in the highfalutin area," Bob Dylan said a few years ago. "I'm in the burlesque area." The man isn't kidding. ...more
Entertainment Weekly
It may not be a better album than ''Time Out of Mind,'' but it glides from genre to genre with a sprightly glee, as if Dylan were traversing the American musical landscape in search of thrills, revenge, and reparation. ...more
All Music Guide
Not just his best album since Blood on the Tracks, but the loosest, funniest, warmest record he's made since The Basement Tapes. ...more
Reviews by score:
See all (12) "Excellent" Reviews
E! Online
[Dylan's] most cohesive work in over a decade......read the complete review at E! Online
See all (9) "Very Good" Reviews
Dot Music
'Love And Theft' is a much tricksier, elusive and - important, this - entertaining beast, one that mingles reflections on ageing with a host of jokes, both good and bad, and some wickedly limber music....read the complete review at Dot Music
There are no "Good" Reviews
See all (1) "Fair" Reviews
The Austin Chronicle
Bob Dylan can't fool us, and he knows it. He's a thief, a con, a 60-year-old with nothing to say. And he continues saying it. "I'm driving in the flats in a Cadillac car," he tells us in "Summer Days," perhaps unaware of how old and white...read the complete review at The Austin Chronicle
See all (5) "Poor" Reviews
The Phantom Tollbooth
What will he do next? It is always the question, and--in the past fifteen years, at least--always the fear. Dylan fans have gotten used to inconsistency in his output, after Oh Mercy, 1989’s great return to form, was followed by the pathetic Under a Red...read the complete review at The Phantom Tollbooth

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