One of the best and most reverenced albums in the history of "underground" rock music, Tago Mago was my introduction to Can, and I frankly wouldn't have had it any other way. ...more about Can
Damo Suzuki's final effort is Can's most atmospheric and beautiful record, a spartan collection of lengthy, jazz-like compositions recorded with minimal vocal contributions. ...more about Can
The follow-up toTago Magois only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usual power and ability. ...more about Can
Given the cohesion of the group's studio albums, Can's songs work surprisingly well in compilation form, as evidenced byCannibalism 1, a collection of tracks taken from the first six years of the grou ...more about Can
For listeners daunted by Can's long and winding discography,Anthology 1968-1993presents short-form highlights like "Spoon," "Future Days," "Moonshake," "She Brings the Rain," and 25 others. ...more about Can
Can's debut is the only full-length, proper release to feature original vocalistMalcolm Mooney, whose free-form ranting is matched by a raw, aggressive dynamic unlike anything else in the group's cano ...more about Can
WithSuzukideparted, vocal responsibilities were now split betweenKaroliandSchmidt. Wisely, neither try to cloneMooneyorSuzuki, instead aiming for their own low-key way around things. ...more about Can