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TopTenREVIEWS presents the reviews for Lyle Lovett

Lyle Lovett album image

Lyle Lovett

by Lyle Lovett

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Ratings and rankings are based on all available critic reviews and awards.
Overall Rating: 3.5622 Lyle Lovett is ranked overall as 3.5622 out of 4 stars
Avg. Critic Score: 4.0000 Lyle Lovett has an avg. critic score of 4.0000 out of 4 stars
 
  • (Lyle Lovett)
  • She wore glass slippers
  • She held her head up high
  • She had that sparkle at her feet
  • And that twinkle in her eye
  • She smiled at me
  • And I wondered why
  • She said I'm looking for a cowboy
  • To take me for a ride
  • And he can rope me on the prarie
  • And he can ride me on the plain
  • And I will be his Cinderalla
  • If he'll be my cowboy man
  • She said I've got a 40-gallon stetson hat
  • With a 38-foot brim
  • We could dance around the outside baby
  • 'Til we both fall in
  • And you can rope me on the prarie
  • And you can ride me on the plain
  • And I will be your Cinderalla
  • If you'll be my cowboy man
  • Now I ain't never been no cowboy
  • But heaven knows I try
  • 'Cause I'll be riding tall in my saddle
  • With that Cinderalla by my side
  • And I can rope her on the prarie
  • And I can ride her on the plain
  • And she will be me my Cinderalla
  • If I'll be her cowboy man
 
  • (Lyle Lovett)
  • Who keeps on trusting you
  • When you've been cheating
  • And spending your nights on the town
  • And who keeps on saying that he still wants you
  • When you're through running around
  • And who keeps on loving you
  • When you've been lying
  • Saying things ain't what they seem
  • God does
  • But I don't
  • God will
  • But I won't
  • And that's the difference
  • Between God and me
  • So who says he'll forgive you
  • And says that he'll miss you
  • And dream of your sweet memory
  • God does
  • But I don't
  • God will
  • But I won't
  • And that's the difference
  • Between God and me
 
  • (Lyle Lovett)
  • Let's have a hand for that young cowboy
  • And wish him better luck next time
  • And hope we see him up in Fargo
  • Or somewhere farther down the line
  • This time he sure drew a bad one
  • One that nobody could ride
  • But by the way he pulled his hat on
  • You knew he'd be there for the fight
  • And it's the classic contradiction
  • The unavoidable affliction
  • Well it don't take much to predict son
  • The way it always goes
  • One day she'll say she loves you
  • And the next she'll be tired of you
  • And push'll always come to shove you
  • On that midnight rodeo
  • He almost made it to the buzzer
  • Somehow he gave up in the end
  • He put one hand around the other
  • And let that pickup man on in
  • And it was his last chance to ride it
  • And now he'll have to move along
  • But he knows back in his mind that
  • He won't be away for long
  • And it's the classic contradiction
  • It's the unavoidable affliction
  • It don't take much to predict son
  • The way it always goes
  • Because one day she'll say she loves you
  • And the next she'll be tired of you
  • And push'll always come to shove you
  • On that midnight rodeo
  • So let's have a hand for that young cowboy
  • And wish him better luck next time
  • And hope we see him up in Fargo
  • Or somewhere farther down the line
 
  • (Robert Keen and Lyle Lovett)
  • This old porch is like a big old red and white Hereford bull
  • Standing under a mesquite tree
  • Out in Agua Dulce
  • And he just keeps on playing hide and seek
  • With that hot August sun
  • Just a-sweatin' and a-pantin'
  • Cause his work is never done
  • And this old porch is like a steaming, greasy plate of enchiladas
  • With lots of cheese and onions
  • And a guacamole salad
  • And you can get'em down at the LaSalle Hotel
  • In old downtown
  • With iced tea and a waitress
  • And she will smile every time
  • And this old porch is the Palace walk-in
  • On the main street of Texas
  • That's never seen the day
  • Of G and R and Xs
  • With that '62 poster
  • That's almost faded down
  • And a screen without a picture
  • Since Giant came to town
  • And this old porch is like a weathered, gray-haired
  • Seventy years of Texas
  • Who's doing all he can
  • Not to give in to the city
  • And he always takes the rent late
  • So long as I run his cattle
  • And he picks me up at dinnertime
  • And I listen to him rattle
  • He says the Brazos still runs muddy
  • Just like she's run all along
  • And there ain't never been no cane to grind
  • The cotton's all but gone
  • And you know this brand new Chevrolet
  • Hell it was something back in '60
  • But now there won't nobody listen to him
  • 'Cause they all think he's crazy
  • And this old porch is just a long time
  • Of waiting and forgetting
  • And remembering the coming back
  • And not crying about the leaving
  • And remembering the falling down
  • And the laughter of the curse of luck
  • From all of those passerby
  • Who said we'd never get back up
  • This old porch is just a long time
  • Of waiting and forgetting
  • And remembering the coming back
  • And not crying about the leaving
  • And remembering the falling down
  • And the laughter of the curse of luck
  • From all of those sons-of-bitches
  • Who said we'd never get back up
 
  • (Lyle Lovett)
  • Was it the champagne
  • Was it the caviar
  • Was it her airplane
  • Was it her daddy's car
  • Was it the new thing
  • With all the dough
  • Why I don't know
  • I just had to go
  • Was that the yacht club
  • Or just a fishing boat
  • Was that the leg of lamb
  • Or was it a billy goat
  • Was that a snail baby
  • Or escargot
  • Why I don't know
  • I just had to go
  • I'm just a poor boy
  • I like to have fun
  • I know a pretty girl when I see one
  • I've seen the real thing
  • The imitation too
  • So don't go telling me what to do
  • Was that a beer joint
  • Or was that the country club
  • Were we fooling around
  • Or was it truly love
  • Was that a foreign film
  • Or just a show
  • Why I don't know
  • I just had to go
  • I'm just a poor boy
  • I like to have fun
  • I know a pretty girl when I seen one
  • I've seen the real thing
  • The imitation too
  • So don't go telling me what to do
  • So keep your champagne
  • And keep your caviar
  • And fly your airplane
  • Into your daddy's car
  • And so you'll understand
  • I'll tell you slow
  • Why I don't know
  • I just had to...go
 
  • (Lyle Lovett)
  • They all sat around in a circle
  • They were all laughing and all telling lies
  • Then the tall one he bumped in a dollar
  • He said boys I've got nothing to hide
  • Now if the King and the Queen stood together
  • Then the ace he would not be to blame
  • And if the cards were all laid on the table
  • Then love could be more than a game
  • And if the stars didn't shine on the water
  • Then the sun wouldn't burn on the sand
  • And if I were the man you wanted
  • I would not be the man that I am
  • And I have seen my share of long nights
  • And I have told my share of lies
  • And I have run into the darkness
  • When I saw the look in your eyes
  • But if the night didn't lie in the darkness
  • Then the daylight would be hard to find
  • And if the truth didn't turn to a weakness
  • I would have never have spoken my mind
  • And if the stars didn't shine on the water
  • Then the sun wouldn't burn on the sand
  • And if I were the man you wanted
  • Then I would not be the man that I am
  • So if you're going out to Carolina
  • Then don't linger in New Mexico
  • And if you think of the one there behind you
  • Then you might not feel so alone
  • And if the stars didn't shine on the water
  • Then the sun wouldn't burn on the sand
  • And if I were the man you wanted
  • I would not be the man that I am
 
  • (Lyle Lovett)
  • She was old enough
  • To know better
  • And she was strong enough
  • To be true
  • And she was hard enough
  • To know whether
  • He was smart enough
  • To know what to do
  • And you can't resist it
  • When it happens to you
  • No you can't resist it
  • When it happens to you
  • And you can tell your story
  • And you can swear it's true
  • But you can save your lying
  • For some other fool
  • And you can't resist it
  • When it happens to you
  • No you can't resist it
  • When it happens to you
  • She was old enough
  • To know better
  • And she was strong enough
  • To be true
  • And she was hard enough
  • To know whether
  • He was smart enough
  • To know what to do
  • And you can't resist it
  • When it happens to you
  • No you can't resist it
  • When it happens to you
  • And you can't resist it
  • When it happens to you
  • No you can't resist it
  • When it happens to you
 
  • (Lyle Lovett)
  • The waltzing fool
  • He's got lights in his fingers
  • The waltzing fool
  • He just don't never say
  • The waltzing fool
  • He keeps his hands in his pockets
  • And waltzes the evening away
  • And it's a waltz to a woman
  • Who's lying beside him
  • It's a waltz to a face on the wall
  • When she's gone
  • It's a waltz to the rodeo
  • The damn thing it rides him
  • It's a waltz to a waltz
  • Now the waltzing fool
  • He just might be crazy
  • Because the waltzing fool
  • He keeps the moon in his car
  • And the waltzing fool
  • He says it's running
  • On waltzes and waltzes
  • And it's a waltz to a woman
  • Who's lying beside him
  • It's a waltz to a face on the wall
  • When she's gone
  • It's a waltz to the rodeo
  • The damn thing it rides him
  • It's a waltz to a waltz
  • Just a waltz to a waltz
  • Now the waltzing fool
  • They say he's been drinking
  • But the waltzing fool
  • He's just got mud on his shoes
  • And the waltzing fool
  • He knows they're all thinking
  • He's only an old waltzing fool
  • But the waltzing fool
  • He's got lights in his fingers
  • The waltzing fool
  • He just don't never say
  • The waltzing fool
  • He keeps his hands in his pockets
  • And waltzes the evening away
  • The waltzing fool
  • His hands in his pockets
  • He's waltzing the evening away
 
  • (Lyle Lovett)
  • The two-step it drug like a ball and chain
  • While the band was playing something like Moon River or Somewhere Over The Rainbow
  • And I was chasing the black man with the champagne
  • And I was chasing the black girl with the Oysters Rockefeller
  • And it was a highbrow occassion
  • For no special reason
  • And nobody knew
  • Nobody knew
  • That the flowers were furnished by the funeral parlor
  • And the whole thing was paid for by the funeral director
  • Who poisoned the saxophone section
  • And if you ain't the big daddy
  • You ain't nobody
  • If you ain't the big daddy
  • You ain't nobody
  • Red and yellow, black and tan
  • But white that's the color of the big boss man
  • It was a twenty-piece orchestra at the Warwick Hotel
  • With some fat man from the opera who tried to sing Misty
  • And it was black men and black boys in white ties and tails
  • And mascara and rouge and fake fingernails
  • If you ain't the big daddy
  • You ain't nobody
  • If you ain't the big daddy
  • You ain't nobody
  • Red and yellow, black and tan
  • But white that's the color of the big boss man
  • They had them everywhere man
  • They had one on every foot and every hand
  • And they was all saying yes sir
  • And right away ma'am
  • And they was picking up plates
  • And they was pouring wine
  • And they was checking umbrellas
  • And making shoes shine
  • And they was handing out towels in the washroom
  • For a quarter
  • And it was an acceptable level of ecstasy
  • As far as everyone could see
  • But nobody knew
  • That the flowers were furnished by the funeral parlor
  • And the whole thing was paid for by the funeral director
  • Who poisoned the saxophone section
  • And if you ain't the big daddy
  • You ain't nobody
  • If you ain't the big daddy
  • You ain't nobody
  • Red and yellow, black and tan
  • But white that's the color of the big boss man
 
  • (Lyle Lovett)
  • The night she is a true companion
  • They shuffle in
  • They hear the sound
  • But by night's end
  • It's night's abandon
  • You look across the floor
  • Ain't anyone around
  • Closing time
  • Unplug them people
  • And send them home
  • It's closing time
  • Now Kenny he's been mixing sound all evening
  • Sometimes I think that boy
  • He ain't got no ears
  • And Kathy's laughing
  • Kathy's always laughing
  • Well keep on laughing Kathy
  • Just make it out of here
  • Closing time
  • Unplug them people
  • And send them home
  • It's closing time
  • So stack those chairs upon those tables
  • And stack those empties upon that bar
  • And count your money
  • And count my money
  • And hear those bottles ringing
  • You know where you are
  • Closing time
  • Unplug them people
  • And send them home
  • It's closing time
  • The night's all that's left behind
  • You take your part and I'll take mine
  • And go on home
  • It's closing time

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